The simplicity of the model that was the original, which allowed it to glide with grace, has been foregone, observes Rohit Sathish Nair.
The film bears its weight largely on Mohanlal's shoulders who mostly looks tired and old as he delivers his flat, unmemorable lines trying to look passionate, observes Divya Nair.
Diljit Dosanjh and Manoj Bajpayee make this comedy-drama a decent watch with their fabulous performances, says Namrata Thakker.
With quite a few characters joining the cast, it would be interesting to see how the story unravels in season two, notes Namrata Thakker.
'My entire house turn their backs on me when a cricket match is happening.' 'The minute I look at the TV screen, an Indian player gets out.' 'So if I do enter the room, I have to sit with my back to the TV.'
Bhaag Beanie Bhaag is neither hilarious nor engaging, complains Namrata Thakker.
Popping the question to Nandita Mahtani, Commando style at an army camp while rappelling down a wall. Surrounded by 300 army men...
Friendships are not merely severed, but built over scuffles. And just about anything can stir things up -- a long-standing feud, a pointless stare, a disrupted moral stance, a fist that ricochets off a face and smacks another face in the near vicinity, observes Sreehari Nair.
Master tailors, textile manufacturers and custom clothiers, however, say the upcoming festive season, reinvention in the form of new collections and digital outreach are salvaging the situation somewhat.
The year is ending, but the OTT shows no signs of slowing down. Sukanya Verma brings you everything you can catch this week.
'Today, 25 years later, Raja Hindustani is as much a Dharmesh Darshan film as it is Aamir Khan and Karisma Kapoor's 'different' love story.'
20 occasions she captured our attention.
Aseem Chhabra lists the films that won his heart at the recent Toronto International Film Festival.
Rajasthan's royal architecture and striking landscapes are a hot favourite among tourists and film-makers. Its majestic beauty and history has coloured many a movies and their visuals to unforgettable effect.
Rediff reader Milon Kumar Sanyal, 72 from Kolkata tells us what he did with his first salary.
Aseem Chhabra introduces us to the best of Berlinale.
Five outsiders with zero connections in the film industry and no money made their mark despite nepotism ruling the roost.
Vanessa Kirby is sure to be nominated for the Best Actress Oscar award, and Frances McDormand of Nomadland will give her a healthy competition, feels Aseem Chhabra.
Mira's films are alive, rocking and so true to the reality I know. They are gifts that I keep revisiting, and I cannot wait for what more she will share with us, notes Aseem Chhabra.
For audiences craving something new, Axone leaves a good impression, notes Joginder Tuteja.
'I joined Hrishida when I was 17.' 'He left me with a lifetime of memories.'
Sukanya Verma lists the memorable use of trees in Hindi movies.
While we wait for Batra's latest to drop on Amazon Prime Video on February 11, Sukanya Verma looks at how Bollywood has dealt with affairs of the heart over the years.
'Despite its noble attempts, tight editing, terrific sound design, good performances and a compelling story, Hotel Mumbai tells a big lie.'
Despite the Oscars, the box office glory, and the universal acclaim, Francis Ford Coppola, I am sure, remembers The Godfather with as much frustration as pride. Like Michael Corleone, he got into it with the best of intentions, and got out of it on top but lost in the heights. Sreehari Nair revisits the film as it turns 50 this month.
Ezhu Sundara Rathrikal may have been an attempt to look at the fickleness of relationships in today's times in a humourous way but it does not have the desired effect.
Like there's no dearth of memorable bus scenes and train imagery in Hindi movies, planes are equally prolific on silver screen.
If there is a morality tale here, it is that debt and death spare no king.
Kumudini Shetty tells you how to dish up some traditional savouries.
As splendid it is to behold, A Suitable Boy cannot match in soul and falls short of being memorable, feels Sukanya Verma.
Aseem Chhabra looks at the year's best Non-Hindi Indian movies.
Between that constant feeling of I've seen it all before and inability to balance comedy and darkness, Ludo wobbles towards its finish, sighs Sukanya Verma.
Lailaa O Lailaa is a tacky film that wasted the resources at its disposal.
Was romance invented so that Sanjay Leela Bhansali would one day make Hum Dil De Chuke Sanam, which released on June 18, 1999, asks Subhash K Jha.
Here's your weekly digest of the craziest and funniest stories from around the world
Luka Chuppi is as much about live-in as Dilwale Dulhania Le Jayenge was about pigeons.
Ankit Zanwar tells us how he met his wife Mitali.
